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J.S. Bach

J.S. Bach - St Matthew Passion Part II No. 39: Aria "Erbarme dich, mein Gott"

Roland Bouman

5:52	Est. Play Time
47	Measures
	1,796Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
Violas		22	0	8	4	98%
Violins 1		19	0	6	7	98%
Violins 2		22	0	9	4	98%
Alto		17	0	6	7	77%

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
Continuo.		24	0	8	5	97%
Violone		24	0	8	5	97%
Evangelist.		16	0	6	4	79%
Violino I.		15	0	5	6	69%
		18	0	5	5	67%
Viola.		18	0	5	6	69%
Basso.		17	0	5	4	63%
Alto.		13	0	4	3	42%
Bassoon		21	0	6	4	42%
Soprano.		13	0	5	2	39%
Flauto traverso II.		12	0	2	3	29%
Oboe II.		13	0	2	3	29%
Flauto traverso I.		12	0	1	3	26%
Oboe I.		12	0	1	3	26%

J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!

Samuel Ricke

3:26	Est. Play Time
46	Measures
	1,134Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.		22	0	8	8	100%
Organo.		22	50	8	5	87%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.		22	0	8	8	100%
Organo.		22	50	8	5	87%
		28	0	10	3	87%
Fagotto.		28	0	10	3	87%
Organo e Continuo.		28	0	10	3	87%
Violone.		28	0	10	3	87%
Viola.		17	0	6	4	76%
Violino I.		21	0	6	3	76%
Violino II.		21	0	6	3	76%
Flauto traverso II.		18	0	5	2	70%
Soprano.		16	0	6	7	61%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
Oboe I.		19	0	4	9	72%
Viola.		18	0	4	7	49%
Violino I.		21	0	3	9	49%
Violino II.		19	0	4	8	49%
Violoncello.		19	0	3	5	49%
Violone.		19	0	3	5	49%
Corno I.		10	0	1	8	48%
Corno II.		8	0	0	8	46%
Fagotto.		21	0	5	5	45%
Oboe II.		12	0	2	7	45%
Oboe III.		9	0	1	7	21%
Violino piccolo.		13	0	2	9	21%

Siciliano

Shoichi

1:50	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		19	0	5	7	97%
Guitar		26	0	9	8	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		19	0	5	7	97%
Guitar		26	0	9	8	76%

Three-Part Invention no.7

Kuhey

2:20	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	0	7	6	97%
		30	0	10	6	55%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	0	7	6	97%
		30	0	10	6	55%
Piccolo		19	0	6	6	94%
Pan Flute		26	0	7	6	53%
Bassoon		30	0	10	6	50%

Prelude in D Minor

Shoichi

1:35	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	2	12	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	2	12	3	52%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
View all 35 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
		20	0	6	4	82%
		25	0	9	4	100%
Fagotto.		20	0	6	4	82%
		25	0	9	4	100%
Violoncello.		20	0	6	4	82%
		25	0	9	4	100%
Violino I.		28	0	10	5	100%
		28	0	10	5	81%
Flauto traverso II.		28	0	10	7	100%
		26	0	10	6	80%
Oboe II.		24	0	9	6	100%
		23	0	8	6	80%
Viola.		21	0	5	6	80%
		23	0	7	5	100%
Violino II.		27	0	9	6	100%
		25	0	8	6	80%
Organo		23	67	8	5	100%
Violone.		25	0	9	4	100%
Oboe I.		22	0	8	5	99%
		23	0	9	6	81%
Flauto traverso I.		24	0	9	7	99%
		22	0	9	6	79%
Organo.		23	63	8	5	82%
Violone		20	0	6	4	82%
Alto.		15	0	6	5	43%
		18	0	6	6	69%
Tenore.		19	0	6	6	69%
		16	0	4	4	43%
Soprano.		16	0	5	6	68%
		15	0	4	5	46%
Basso.		23	0	8	6	66%
		16	0	4	5	43%
Soprano ripieno.		9	0	0	5	28%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	7	5	96%
Organo e Continuo		0	0	0	0	0%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	7	5	96%
Organo e Continuo		0	0	0	0	0%
		21	0	7	5	96%
Violoncello		21	0	7	5	96%
Viola		23	0	8	5	89%
Violino II		23	0	8	5	89%
Violino I		26	0	10	6	88%
Alto		17	0	7	6	77%
Soprano		20	0	8	6	77%
Tenore		18	0	6	6	77%
Flauto traverso I,II		23	0	8	6	73%
Basso		18	0	7	5	67%
Oboe I/II		23	0	8	6	60%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)

Samuel Ricke

1:08	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
Continuo.		6	0	2	3	88%
Violone.		6	0	2	3	88%
Jesus.		14	0	4	3	75%
Viola.		6	0	1	3	75%
Violino I.		7	0	2	3	75%
Violino II.		7	0	1	4	75%
Evangelist.		8	0	0	2	38%

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